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Suggesting Experiences and Materials

📝 Cheat Sheet

Suggesting Experiences and Materials

Suggesting learning experiences

  1. They must be inherently linked to the unit’s organizing principles, not isolated.
  2. They must serve a variety of learner needs and interests, with depth and breadth for the grade.

Suggesting materials

  1. Use a variety: verbal, non-verbal, field trips, and community resources.
  2. Include culminating experiences that tie varied experiences together.

Schemes and the bottom line

  1. Organize science and social studies around big ideas or problems; art around something to be done or appreciation.
  2. Pre-planning plus live planning produces the greatest cumulative effect.

The last work in organizing is filling a source unit with the right experiences and materials. Two rules govern the experiences, the materials should be varied, and the whole thing only pays off when pre-planning meets live planning in the classroom.

Suggesting learning experiences

When suggesting experiences for a source unit, a developer offers a large collection, so teachers can pick and choose and plan their own teaching for any grade. But the collection is not a grab-bag. Two requirements shape it:

  1. The experiences must be inherently linked to the organizing principles of the unit. They should not stand in isolation or be delinked from the elements and principles the unit is built on. An experience that ignores the unit’s organizing principles breaks its continuity, sequence, and integration.
  2. The experiences must serve a variety of needs and interests of learners, broad enough that there is no deficiency in the unit. A variety of experiences is provided so that every learner can stay attentive, involved, and free from boredom, and so the unit has enough depth and breadth for each grade and each group.
Pop Quiz
Why must the learning experiences in a source unit be linked to its organizing principles?
Flashcard
What two requirements shape the experiences suggested in a source unit?
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Answer

They must link to the unit’s organizing principles, and serve a variety of learner needs

Experiences cannot stand in isolation from the unit’s elements and principles, and there must be enough variety and depth to keep every learner involved and free from boredom.

Suggesting materials

A source unit should recognise that a variety of material can be used. Materials fall into a few kinds:

  1. Verbal materials, such as video tapes, audio recordings, and short films.
  2. Non-verbal and concrete materials, including everyday objects like an old newspaper or a shoe box, and things learners use in and after school during activities.
  3. Field trips and community resources, for experiences that happen outside the classroom.

Because materials support experiences, every experience suggested should come with appropriate material. A developer also recognises the importance of culminating experiences that tie varied experiences together, facilitate integration, and let learners organize their learning. The materials and the culminating experiences must supplement each other; if a material conflicts with the experience it supports, the unit loses its value as pre-planning.

Match material to experience. Every suggested experience needs the right material behind it, and the two must not conflict. A field-trip experience needs field-trip support; a culminating activity needs material that ties earlier work together. Mismatched material undercuts the experience it was meant to serve.

Schemes for organizing source units

There is no single scheme for organizing a source unit. The right one depends on the subject:

  1. In science, social studies, and similar subjects, units are often organized around big ideas, or around problems, with activities that attain the unit’s objectives and a final activity that creates opportunities for integration.
  2. In art and aesthetics, where big ideas and problems are less natural, a unit can be organized around something to be done, such as building a structure, or around a series of appreciation experiences. The aim is to develop the ability to find and express beauty.

The elementary level especially offers great opportunity for creative work in developing effective schemes for source units across the curriculum.

Pop Quiz
How might a source unit in art or aesthetics be organized, given that big problems are less natural there?

Pre-planning and live planning

A few facts close the work. A source unit represents pre-planning, but a great deal of planning is still done at the time of actual teaching. Each group of learners differs in background, interests, and needs, so there will be variation in planning from group to group. When teacher and learners plan particular things together, learners develop greater understanding, find meaning in the learning, and are motivated by it. The activities are selected from those given in the unit, with additions as learners see possibilities, so a particular class plan always shows some variation from the original source unit and never includes all of its material.

The bottom line: planning the organization of learning experiences involves both a great deal of pre-planning and planning as the work goes on. It is through pre-planning and live planning together that the greatest cumulative effect from the various learning experiences is achieved. The source unit prepares the ground; the live planning grows the crop.

Pop Quiz
What produces the greatest cumulative effect from learning experiences?
Flashcard
Why does a class's actual plan always differ from the source unit?
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Answer

Each group differs, and teacher and learners adapt and add during live planning

A source unit is pre-planning; much planning still happens during teaching. A class selects from the unit and adds as learners see possibilities, so its plan never matches the source unit exactly.

Flashcard
What range of materials should a source unit suggest?
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Answer

Verbal, non-verbal and concrete, and field-trip or community materials

Verbal includes video and audio; non-verbal includes everyday objects; field trips reach beyond the classroom. Each suggested experience needs matching material, and culminating experiences tie the work together.

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Last updated on • Talha